Landscape of Changing Mind
The endless states of mental structures, identifying and tracing initiations of mental formations in order to grasp the brief moments where gestalts of ideas, begin to coalesce and create the planes that they will later build upon.
Landscapes of Changing Mind is an attempt to demonstrate the energy and motivation that provoke the psyche to start responding to the creative force, exploring unpredictability--an inseparable component of all creative processes--and how the psyche uses unpredictability as a powerful force that can ignite creativity, yet struggles to find order in rigid systems due to fear of getting lost in its own complex world of creativity.
Stretching the concept of the landscape into the realm of emotion allows for the exploration of myriad environments, temperatures, and ambiances that this world can offer.
Emotions are strongly tied to the world of ideas and mostly originate and emerge from it.
While both emotions and ideas are in a constant state of flux, one cannot clone the other, perfectly imitate the other, or entirely become the other.
Drawing boundaries between ideas and emotions is seemingly artificial at times, as the two are so intimately connected. I find it a challenge to attempt to do so, as the differences are so thin and subtle, yet at the same time present and insisting.
Landscape of Changing Mind
The endless states of mental structures, identifying and tracing initiations of mental formations in order to grasp the brief moments where gestalts of ideas, begin to coalesce and create the planes that they will later build upon.
Landscapes of Changing Mind is an attempt to demonstrate the energy and motivation that provoke the psyche to start responding to the creative force, exploring unpredictability--an inseparable component of all creative processes--and how the psyche uses unpredictability as a powerful force that can ignite creativity, yet struggles to find order in rigid systems due to fear of getting lost in its own complex world of creativity.
Stretching the concept of the landscape into the realm of emotion allows for the exploration of myriad environments, temperatures, and ambiances that this world can offer.
Emotions are strongly tied to the world of ideas and mostly originate and emerge from it.
While both emotions and ideas are in a constant state of flux, one cannot clone the other, perfectly imitate the other, or entirely become the other.
Drawing boundaries between ideas and emotions is seemingly artificial at times, as the two are so intimately connected. I find it a challenge to attempt to do so, as the differences are so thin and subtle, yet at the same time present and insisting.