Untitled, 91x61 cm. Acrylic, Pens, Paper & spray on Canvas, 2022
DRY PLANT, 91x61 cm. Acrylic,Pens on Canvas, 2022
WHIM, 60X60, ACRYLIC AND PENS ON CANVAS, 2021
MDUZ, 91x61 cm. Acrylic, Pens & spray on Canvas, 2022
FORMATION, 61X45 CM. ACRYLIC, SPRAY, MARKERS ON CANVAS. 2022
WHEN YOU TALK, 50X50 CM. ACRYLIC AND PENS ON CANVAS, 2022
DOUBLE HELIX, 60X50, Acrylic and Pens on Canvas, 2022
Untitled, 50x50 cm. Acrylic and Pens on Canvas, 2022
Untitled, 50x50 cm. Acrylic and Pens on Canvas, 2022
IT CAN BE, 40X40, Acrylic and Pens on Canvas, 2022
TODAY, 50X50, Acrylic and Pens on Canvas, 2022
Untitled, 50X40, Acrylic and Pens on Canvas, 2021
Untitled, 91x61 cm. Acrylic,Pens & paper on Canvas, 2021
EQUILIBRATE
Equilibrate is a formalistic exercise, it is dealing with the formation of line and object and it is purely a visual exercise since it is investigating the perceptual aspect of an object/ line rather than the content or meaning. The work process is focusing on keeping line and background as supportive of each other as possible, the relationship is anti hierarchical. Object is no higher than background, and background is not taking over of object. the resolution of each painting is that both line and background are creators of themselves while supporting the process of the other.
EQUILIBRATE
Untitled, 91x61 cm. Acrylic, Pens, Paper & spray on Canvas, 2022
DRY PLANT, 91x61 cm. Acrylic,Pens on Canvas, 2022
WHIM, 60X60, ACRYLIC AND PENS ON CANVAS, 2021
MDUZ, 91x61 cm. Acrylic, Pens & spray on Canvas, 2022
FORMATION, 61X45 CM. ACRYLIC, SPRAY, MARKERS ON CANVAS. 2022
WHEN YOU TALK, 50X50 CM. ACRYLIC AND PENS ON CANVAS, 2022
DOUBLE HELIX, 60X50, Acrylic and Pens on Canvas, 2022
Untitled, 50x50 cm. Acrylic and Pens on Canvas, 2022
Untitled, 50x50 cm. Acrylic and Pens on Canvas, 2022
IT CAN BE, 40X40, Acrylic and Pens on Canvas, 2022
TODAY, 50X50, Acrylic and Pens on Canvas, 2022
Untitled, 50X40, Acrylic and Pens on Canvas, 2021
Untitled, 91x61 cm. Acrylic,Pens & paper on Canvas, 2021
Equilibrate is a formalistic exercise, it is dealing with the formation of line and object and it is purely a visual exercise since it is investigating the perceptual aspect of an object/ line rather than the content or meaning. The work process is focusing on keeping line and background as supportive of each other as possible, the relationship is anti hierarchical. Object is no higher than background, and background is not taking over of object. the resolution of each painting is that both line and background are creators of themselves while supporting the process of the other.