










Untitled, 60x50 cm. Acrilyc and pens on canvas.. 2025
Untitled, 60x50 cm. Acrilyc and pens on canvas.. 2025
Tran. 40x40 cm.Acrylic and pens on canvas. 2025
TONES OF SHE, 50x60 cm. Acrylic and Pens on Canvas, 2024
TEARS ON PETALS, 50X50 CM. ACRYLIC AND PENS ON WOOD, 2023
Untitled 40x50 ACRYLIC ON CANVAS. 2025
TORN. 50X50 CM. ACRYLIC AND PENS ON CANVAS 2022
WHEN YOU TALK, 50X50 CM. ACRYLIC AND PENS ON CANVAS, 2022
Formation. 61x45 cm. Acrylic, Spray &Pens on Canvas. 2022
WHIM, 60X60, ACRYLIC AND PENS ON CANVAS, 2021
UNTITLED, DIGITAL PAINTING, 2024.
EQUILIBRATE
Equilibrate is a formalistic exercise, it is dealing with the formation of line and object and it is purely a visual exercise since it is investigating the perceptual aspect of an object/ line rather than the content or meaning. The work process is focusing on keeping line and background as supportive of each other as possible, the relationship is anti hierarchical. Object is no higher than background, and background is not taking over of object. the resolution of each painting is that both line and background are creators of themselves while supporting the process of the other.
EQUILIBRATE











Untitled, 60x50 cm. Acrilyc and pens on canvas.. 2025
Untitled, 60x50 cm. Acrilyc and pens on canvas.. 2025
Tran. 40x40 cm.Acrylic and pens on canvas. 2025
TONES OF SHE, 50x60 cm. Acrylic and Pens on Canvas, 2024
TEARS ON PETALS, 50X50 CM. ACRYLIC AND PENS ON WOOD, 2023
Untitled 40x50 ACRYLIC ON CANVAS. 2025
TORN. 50X50 CM. ACRYLIC AND PENS ON CANVAS 2022
WHEN YOU TALK, 50X50 CM. ACRYLIC AND PENS ON CANVAS, 2022
Formation. 61x45 cm. Acrylic, Spray &Pens on Canvas. 2022
WHIM, 60X60, ACRYLIC AND PENS ON CANVAS, 2021
UNTITLED, DIGITAL PAINTING, 2024.
Equilibrate is a formalistic exercise, it is dealing with the formation of line and object and it is purely a visual exercise since it is investigating the perceptual aspect of an object/ line rather than the content or meaning. The work process is focusing on keeping line and background as supportive of each other as possible, the relationship is anti hierarchical. Object is no higher than background, and background is not taking over of object. the resolution of each painting is that both line and background are creators of themselves while supporting the process of the other.